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It is in this horse-shoe shaped palace, whose 2 wings stretch from Palazzo Vecchio to the Arno, that really produces the square itself; the porticoes on the western side open off into Via Lambertesca, a narrow street that leads right into the heart of the oldest part of the city, the mediaeval area that Vasari partly destroyed to include his brand-new development.

It was here that the mafia car-bomb took off on the night of May 27th 1993, on the corner between Via Lambertesca and Via dei Georgofili, killing five people and triggering damage to the creative heritage of Florence. The explosion seriously harmed the upper rooms of the Uffizi and disembowelled the ancient home and tower of the Pulci household below it, from 1932 the seat of the historic Academy of the Georgofili, specialized in farming research studies and the preservation of the area considering that 1753.

One half of its exterior (200 square metres) had been completely destroyed, shattered in the explosion, a big pit, about ten metres deep, had opened up in the interior, while the whole of the south wall, which dealt with onto the Courtyard of the Caldaie, was in risk of collapsing, because it had been shifted 10 centimetres by the effect. The attic-flat that had actually been created at the top of the tower in the early 20th century had actually crashed to the ground, covering the bodies of the four individuals who lived in it with rubble: the caretaker of the Academy, her other half and their two little daughters, one aged 9 and the other just two months.

Florence has actually constantly replied to barbaric acts such as this by immediately proceeding with healing her wounds and restoring whatever that has actually been damaged "as it was and where it was". Once the substantial patrimony of books coming from the Academy (50.000 volumes plus 4.000 essays from the archives of the Georgofili) had actually been carried away to security and all the rubble removed, the walls that were still standing were reinforced and the ones that had been destroyed were reconstructed. Traditional methods were integrated with advanced technological options: the roofing and bent tiles were made by hand, the corbels and capitals sculpted by Florentine craftsmen https://www.washingtonpost.com/newssearch/?query=travel europe but use was also made from mortar injections, chains, steel plates and bolts. Excellent care was taken throughout restoration to keep to particular fundamental guidelines which were to make sure that the newly reconstructed areas of the structure could in some way be acknowledged from the original. A zig-zagging fracture line divides the flooring of the big Assembly Hall on the very first floor, to delimit the area that fell to the ground, and another line on the exterior, a vertical one this time, divides the ancient embellished walls from the new.

Above all it exposed the existence of a well and staircase system that leads up from the cellars to the upper floors and which probably is the last trace of the house that the Florentine land register of 1427 noted as being the home of Jacopo di Francesco http://gunnersmeu786.bravesites.com/entries/general/miley-cyrus-and-greek-islands-map-10-surprising-things-they-have-in-common de' Pulci and dad of Luigi, a good friend of Lorenzo Il Magnifico and author of the poem "Morgante". The home and tower still bear the name of the Pulci family even today, in spite of the truth that the structure appears to have passed to the Gherardini household after 1433.

The well and the staircase that winds around it and arrives floor of the Uffizi Gallery are now devoid of the walls and plaster that as soon as concealed them; the grey stone archivolt and actions have actually been restored in order to form a single and unified unit with the numerous spaces of the Academy.

Apart from being an unforeseen benefit for all those who worked on restoring the structure, this discovery is yet another demonstration of Giorgio Vasari's ability in construction, as he handled to integrate the ancient tower of the Pulci family into the innovative architecture of the Uffizi without damaging it.

In truth the initial task consisted of strategies to expropriate and destroy at least 43 houses and towers in order to build the new palace of the "Uffici" or workplaces, however Cosimo de' Medici chose that this would be far too costly in the long run and for that reason one of the most of the structures were spared though they were ultimately integrated into the new building. The Tower of the Pulci and the results of this amazing remediation work can be gone to daily throughout the hours in which the Academy of the Georgofili is open to the general public which is from Mondays to Fridays, from 3.00 pm to 6.30 pm.