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It remains in this horse-shoe shaped palace, whose 2 wings stretch from Palazzo Vecchio to the Arno, that really creates the square itself; the porticoes on the western side open off into Via Lambertesca, a narrow street that leads right into the heart of the oldest part of the city, the mediaeval area that Vasari partly demolished to include his brand-new production.

It was here that the mafia car-bomb blew up on the night of May 27th 1993, on the corner in between Via Lambertesca and Via dei Georgofili, eliminating 5 individuals and triggering damage to the creative heritage of Florence. The surge seriously damaged the upper spaces of the Uffizi and disembowelled the ancient house and tower of the Pulci household underneath it, from 1932 the seat of the historical Academy of the Georgofili, concentrated on farming research studies and the preservation of the territory considering that 1753.

The remarkable sight is still a brilliant memory for all the rescuers who initially arrived on the scene after the surge: this time the small palace of the Georgofili, which had actually made it through so many wars and floods, seemed really to have actually suffered its death blow. One half of its facade (200 square metres) had been entirely damaged, shattered in the surge, a big pit, about ten metres deep, had actually opened up in the interior, while the entire southern wall, which faced onto the Yard of the Caldaie, was in danger of collapsing, because it had actually been moved 10 centimetres by the effect. The attic-flat that had actually been created at the top of the tower in the early 20th century had crashed to the ground, covering the bodies of the 4 people who resided in it with debris: the caretaker of the Academy, her hubby and their 2 little daughters, one aged nine and the other only 2 months. The 5th victim was a trainee who lived in the home reverse, which was likewise directly hit by the explosion.

When the big patrimony of books belonging to the Academy (50.000 volumes plus 4.000 essays from the archives of the Georgofili) had been brought away to security and all the debris got rid of, the walls that were still standing were strengthened and the ones that had actually been destroyed were rebuilded. A zig-zagging fracture line divides the floor of the substantial Assembly Hall on the very first flooring, to delimit the area that fell to the ground, and another line on the facade, a vertical one this time, divides the ancient embellished walls from the brand-new.

Above all it revealed the existence of a well and staircase system that leads up from the cellars to the upper floors and which probably is the last trace of the house that the Florentine land register of 1427 kept in mind as being the residential or commercial property of Jacopo di Francesco de' Pulci and daddy of Luigi, a buddy of Lorenzo Il Magnifico and author of the poem "Morgante". The house and tower still bear the name of the Pulci family even today, in spite of the fact that the structure appears to have actually passed to the Gherardini family after 1433.

The well and the staircase that winds around it and reaches the top floor of the Uffizi Gallery are now without the walls and plaster that once hid them; the grey stone archivolt and actions have actually been restored in order to form a single and harmonious system with the different rooms of the Academy.

Apart from being an unanticipated reward for all those who worked on restoring the structure, this discovery is yet another demonstration of Giorgio Vasari's ability in construction, as he handled to incorporate the ancient tower of the Pulci household into the revolutionary architecture of the Uffizi without ruining it.

In fact the initial task included plans to expropriate and demolish a minimum of 43 homes and towers in order to construct the new palace of the "Uffici" or workplaces, however Cosimo de' Medici decided that this would be far too expensive in the long run and for that reason the many of the structures were spared though they were ultimately integrated into the new building. http://gunnersmeu786.bravesites.com/entries/general/miley-cyrus-and-greek-islands-map-10-surprising-things-they-have-in-common The Tower of the Pulci and the outcomes of this amazing repair work can be visited daily throughout the hours in which the Academy of the Georgofili is open to the public which is from Mondays to Fridays, from 3.00 pm to 6.30 pm.